In December of 2019 I participated in Art Basel! I was excited to have been invited by the Art Basel Miami Gallery to join several other African/American, Caribbean and Latin American artists to show their works.
Art Basel Miami Gallery is located in the neighborhood known as Little Haiti, rich in Haitian culture and language. I met so many incredible young artists who painted on a variety of substrates and various mixed media. There were gatherings, interviews and camaraderie, food and fun!
Though I wanted to get to many of the other galleries around Miami Beach I didn’t make it that far because of the crowds, traffic and my not knowing where the heck I was all the time! I did get to see much of Little Haiti and other satellite exhibits. All the while there was something I kept wondering, Why isn’t Art Basel more inclusive of other, not so prominent, local galleries? It seems ironic that art fairs/artists come from everywhere outside of Miami yet Art Basel rarely includes galleries or artists local to Miami.
There are many established Black, Caribbean & Latin American cultured/owned galleries that spend 2/3 of the year raising money to be able to showcase the work of these local artists. Yet little, if any, publicity is given by Art Basel and/or the mainstream galleries.
Mention of Black Art or any initiative to highlight artists of color or art exhibits in Miami’s heritage neighborhoods was relegated to the last page (back of the bus) of fair brochures or omitted entirely.
Unfortunately most of the artists included in the Black art fairs were not represented at the main Miami Beach Art fairs. The vast majority of Black contemporary artists occupied venues on the periphery of the main fairs with little to no publicity.
These satellite galleries create spaces that value community more than capital. This presents the question of how to sustain these vital spaces for future shows?
I loved every moment of being present at Art Basel Miami! Though I didn’t get to view some of the million dollar plus paintings on display at Art Basel (Miami Beach) I wouldn’t exchange my experience of viewing the art by local, relatively unknown artists I did see!
Creativity abounded everywhere!
It was my first time traveling to Miami and I am thankful to and grateful for Intentional Creativity Teacher Marcela Segal opening her home to me as her guest! It was a week of true excitement and exploration!
Phyllis A. Taylor is an Artist and Intentional Creativity Teacher based in Orlando, Florida. She teaches an array of class offerings to seniors and women’s groups, as well as co-creating workshops with other teachers in Intentional Creativity and Expressive Arts. Visit her website to learn more! www.pannetartstudio
Message from Co-Founder, Shiloh Sophia about Art, Christchurch and what you can do to support two artists on the ground…painting night and day on a mural of intention, healing and community. Plus a letter from Jonathan McCloud to the community.
Thank you for pausing with me to give awareness and honor to the 50 lives lost in Christchurch, NZ. I know you have so many things you are working on and focusing on and sending love and resources to. I know I do. So thank you for your time to check this out. In just a day of returning from New York I find myself in a community in crisis. Not every person, not in every way. But it is big, feels like a mountain of pain.
I wanted to let you know in advance, this letter has typos. It is not the polished request of a seasoned NGO – but the immediate response to a need. So forgive the typos and thank you to Annette, Kate, Sarah and Jonathan for responding asap to my call for action, now.
There is a lot going on. We have community members with partners dying. Family members in health crisis with test after test and no results to back up what they are feeling. Local community without resources to make ends meet. Global community with children in the hospital. Many of us feeling sick and not sure why. Our waiter for lunch needing counsel on how to talk to his mother in law about the child coming into their life. What I learned that breaks my heart at UNCSW about women and girls. Then there is the whale that washed up with 100 lbs. of plastic inside that I can’t get out of my mind…and then…you face it everyday.
My direct community are on the ground in New Zealand making art in the midst of the country’s first terrible senseless shooting. Something the US is quite familiar with unfortunately. They are making a grove of trees…you can read about it below. For a few years I have been making ‘marks’ in my paintings for the lost, and this week my community, teachers of my Intentional Creativity method are there, making marks for the lost lives on the Grove of Intention – painted murals designed to support and uplift the community.
Like I said, I know you have a lot you can focus on and because you are connected with me and Intentional Creativity, I am asking you to focus on this. Are these women going to survive this experience? Of course. And do I want to show them how important art is in the middle of crisis – and how much it matters to us, I sure do. Can I personally fork out the cash to cover what they need right now, yes I could, even after a financially taxing trip to NY for two weeks on a mission which we personally finance. I am trying new things with the mindfulness of our NGO status – I am asking you to work with me to make sure these artists on the ground not only feel our support energetically but through our resources. We want to cover their materials and food for the project. Do that here now to show your support. $5 or $10 or as much as you are called to.
Your donation is tax deductible. That is why we created an NGO – to support the arts. This is that call to action. You can get a tax deduction and 100 percent goes directly to the artists. We are sending funds in advance and will reconcile post funding. We have already sent funds, will you join us here?
The project was funded by NZ – but the budget has run out and is taking way longer to complete due to weather, tragedy, and sadly, graffiti. Imagine during this crisis, to have your art in process, defaced. Sigh. So much to learn as humans huh?
Here are these wonderful women, whom I have known for over 5 years – and worked with over and over in serving our community. Rosie Mac, Kerry Lee, we love you.
It is my first work day after two weeks in New York at UNCSW and I have all kinds of things to share with you but that has to wait, Kerry, Rosie and Christchuch come first today.
Please take the time to learn why the Grove of Intention matters to all of us and to a country in crisis. Art doesn’t save the world, but it does help save our minds and hearts when we don’t know where to turn.
~ Shiloh Sophia
I am so sorry this happened during this horrific experience. My heart, time and resources go with you…
A message from the Intentional Creativity Foundation:
Intentional Creativity Teachers, Kerry Lee and Rosie Mac, are currently working on ‘The Grove of Intention’ project in Christchurch New Zealand, where the mass shooting took place just last week.
As you can imagine, creating something like this at a time filled with so much sorrow and devastation is important healing work. Kerry and Rosie are doing all they can to bring public awareness to this project and are asking for any support we can give.
We are including the press release here with more information. If inspired, there is a link for you to donate financial resources, which will support the completion of this project in time for the unveiling Saturday March 23, 2019: 12 – 3pm at 145 Westpac Lane in Christchurch. ALL ARE WELCOME and there will be interactive activities with the Grove of Intention trees.
If you are able to share the press release with media contacts or on social media, here are the links:
Donate NOW to cover resources for our IC Member artists on the ground in NZ – all donations will go 100% to the artist’s cause, and are tax-deductible. Give what you can, even $5 as each donation is connected to exponential energy. Let’s let Kerry Lee and Rosie Mac KNOW we are behind them.
The Grove of Intention ~ A Healing Place for Contemplation, Connection & Community, Christchurch, New Zealand
Christchurch, New Zealand: The Grove of Intention, an experiential mural for healing, contemplation, connection, and community is being created in Christchurch Central. The 8’ x 75’ project is a collaboration between two women and two communities from the United States and New Zealand coming together to bring transformational beauty.
The image design was inspired by Gustave Klimt’s style of the Tree of Life. Shiloh Sophia McCloud was sparked by the spiral design as the foundation for the Witness Tree at Wisdom 2.0 Conference in San Francisco, CA in which thousands participated. Kerry Lee was part of the project and documented it on her blog here. Starting with the first tree of this kind in our community created in 2010 at Self Love Day in which many created leaves with their intentions and wishes. So many trees all over the world!
Artist Kerry Lee took the project to the next level with her 12’x16’ The Intention Tree mural at the First Street Artist’s Alley in Napa, California. Following these actions, this work became a part of Christchurch’s Enliven Places Programme because of Rosie Mac and her involvement with Intentional Creativity and her own community.
Originally designed as a way to spark conversation, the mural soon became a healing balm for the recent tragedy, the first mass shooting in New Zealand. The project was designed by two Intentional Creativity Teachers, Kerry Lee of California and Rosie McCarthy of Christchurch. The mural is an interactive work of art consisting of seven symbolic and metaphoric golden trees.
Each tree has a theme and a related inquiry including:
The Wish Tree What is one big wish you have for yourself
The Peace Tree What is one wish you have for the world
The Wellbeing Tree What nourishes your soul?
The Connection Tree Where in Christchurch is your favourite place to be in conversation?
The Witness Tree How do you help improve the world?
The Wisdom Tree What is something you know for sure?
The Gratitude Tree What are you grateful for?
Unique Contemporary Symbolism at the base of each tree ties into the overall themes including simple whimsical houses symbolizing connection, triple spirals representing balance, triangles symbolizing change and circles representing humanity and our oneness and more. Native New Zealand birds grace the branches and the general public’s responses to each tree’s inquiry are painted on the branches for viewers to recognize our commonalities and encourage conversation. Given the tragedy, the artists are adding white thumbprints to The Connection Tree representing each person who lost their life.
The Artists were minutes from going to work on the mural, located in between the two shooting locations, when they received notice of the attack. They continued to paint the three week project on the days following the shootings.
Kerry Lee states: “An indescribable dark cloud of sadness and silence has come over this beautiful city. I have become very familiar with the sights and sounds of Westpac Lane where the mural is coming into form. Right now there are few people and few of the background sounds of humans going about life. And those who do come by seem to be extra present for others. As an American, where shootings are not unusual, however certainly not the norm it feels like New Zealand has had a major cultural shock. Much like 9/11 was in the US. And yet from this horrific experience I am also getting to witness the deep and broad love the Kiwis have for each other and for all.”
In support of community healing the unveiling of The Grove will take place on Saturday March 23, 2019 from noon until 3pm at 145 Westpac Lane in Christchurch. All are welcomed to participate.
“It is our hope that The Grove of Intention will provide a place where love and compassion for each other can continue long after the memorial flowers at the Botanical Garden are gone.” ~ IC Teacher and Artist Kerry Lee
“One of the primary features of Intentional Creativity” says Shiloh McCloud, Co-Founder, ”is that it gives us a capacity to respond to what is happening all around us, providing resiliency and enough hope to keep going. Instead of just thinking about what is happening, we are actually doing something about it to benefit others and manage our own experience. Thousands of us around the world are standing with Kerry Lee, Rosie Mac and the whole of New Zealand. We aren’t new to this kind of tragedy in the United States, and in response our creative community, in addition to activism on gun laws, began to add marks and dots and prints into our paintings to honor those whose lives were lost.”
Will you be a part of supporting the project?
Due to rain, sun too hot to paint on mural, graffiti and schedule changes, the project and the creators could use a boost in resources. Contributions are appreciated and can be sent here.
The unveiling will be on Saturday, March 23, noon until 3pm. Learn more on Facebook and Instagram @ The Grove of Intention.
Rosie and Kerry have also been supported by a small village of people in Christchurch helping to complete the mural due to being hampered by the weather and, of course, the shootings last Friday when the city was in lockdown.
About the Intentional Creativity Foundation:The Intentional Creativity Foundation is a community dedicated to creativity, connection, conversation, collaboration and change. We come from different geographies and genealogies. We seek to discover what makes us the same in the most basic ways and how we can be a part of something larger than ourselves while not lose sight of our individual visions. The Foundation is a place where we choose to participate in defining and developing a culture of heart and creativity – and how that has the capacity to transform our stories. The Intentional Creativity Foundation, Inc. is a Federally (USA) and State (California) recognized 501(c)3 organization.
Message from Jonathan McCloud to the IC Guild – This is our internal call but thought we would share it with you too….
Recipe for Love and a Call to Action. Not now…. RIGHT NOW.
What is it then, that we really do? Teach a class, move some energy, perhaps?
Watch as the eyes of a woman, a veteran, an elder, a girl, maybe even a son… a human being wells with tears when they stand face to face with the story of truth that comes from within themselves as they move a stump of charcoal or pencil across a page.
This magic of a method that you all know and love and live, it’s our way. You said it. You professed it. It’s here to knock on your imagination of the day when it would arrive. Hello.
Our team is in need. Now. Rosie McCarthy braved the good fight and got a grant from her government to bring Kerry Lee to New Zealand to bring the message of Intentional Creativity and hope and peace and healing to a country tossed by the might of Earth and respectfully, softly healing with love and kindness towards one another.
There are stressors in life that catalyze, through fear, the best and/or the worst in us. Let us not focus on the event, nor the actor. Let us focus on what it is that we, The Intentional Creative Foundation and you, it’s heart and soul bring to this moment, this lifetime of every soul, voice and hand.
Be a part of this solution. For us, by us, and by our own hands. The same way it was when you stood before that canvas on the first day of LEGEND. This is you. This is Us. We are caring for our own and in the process, loving in forgiveness the entire being that makes this humankind.
Let’s give these ladies, daring in the face of this adversity, at the front face of where creativity can and will heal, the ‘green stone of love’ as they say. Mighty in our connectedness, you stood for this, stand for it now. This is the Guild.
Every bit goes directly to them as an Earmarked Donation to the ICF. We will make sure that you get full acknowledgment from the ICF, Inc. for your tax deductible contribution for this identifiable member(s) benefit from YOUR own Guild.
Have I told you today, how much I love you? Jonathan McCloud
I am an artist. Everything I see, do, create, think and love is connected with beauty and transformation through creativity. The Alchemist’s Brush will be my first one woman show since 2010. My first show since my teacher, Sue Hoya Sellars walked on into the cosmos. My first show focusing on and featuring my teaching paintings. My first show since being with my husband, Jonathan who I met in late early 2012. My first show to include this many paintings!
You are invited to join us in person on Friday June 1 for my Art Opening in Sonoma, or by special request you can join us for the Virtual Art Opening behind the scenes look before everyone arrives.
We are here getting ready for the show this weekend. There are helpers everywhere busy with paintbrushes and hammer and nails. I am saying to myself:
Let yourself arrive. This is what success looks like. It doesn’t look like what you thought. It is way better than you could have imagined. Claim this. Share this.
When the economy started changing in 2007 I could feel it and see it before it landed. Times were changing. I had owned my own gallery since the age of 28 (that’s twenty years ago now), so I could sense the threads of our world stretching. Paintings for many years before that flew off the wall and I felt so blessed to be a working artist.
Paintings flew….My Co-Curator Mary MacDonald and I would put a painting up, light a candle, say a prayer and wait and sure enough – here came the person who that painting belonged to. It was magical and good work and connections were made. But there was something else. There was a need. Now I had felt this need for many years…more on that to come…
Girls on film begins….Then in 2008 with our move to Healdsburg from Mendocino we started my video career (insert Girls on Film song as background for reading). I had never imagined being on film. I had made other movies before but nothing like this. Mary suggested we just turn on the camera and see what happens. And so we did. And the rest is history. Our first class, LEGEND was a total success and these many years later we are still running it with hundreds of graduates a year. And LEGEND is a pre-requisite for our Teacher Training, which I launched in 2010 to really bring this work to life in the hands of many. I could only reach so many…but they can reach thousands who really need this work.
Complicated beginnings….Thousands of hours of videos later and we are still at it. Something else was happening much more important than a star being born 🙂 There was a need, a request, for women to connect with their own stories and image. To heal. To grow. To transform. I had what would meet that need, and I knew it. They actually told me themselves! There was a need beyond having a healing image that celebrated women – they had to remake their image for themselves. The re-imagining came right in my front door, sat down, had a cup of tea and wouldn’t leave until I said yes, I will show you. But it was more complicated than that.
You see, I was married for 16 years to an amazing person, but for his own reasons, the full extent to which I will never know – he didn’t appear to want me to share my gifts of Intentional Creativity as a teaching. At first it was protective energy. And further, it was integral to our actual income! What might happen if I showed everyone my magic sauce of how to make a painting, even if you don’t know how to paint. Would our collectors become students? How to bring intentional heart and soul into your creation to alchemize the very particles into medicine. Later, he said he protected me until I was strong enough on my own. I feel that and trust that. And there came a time when I couldn’t contain it anymore for myself. I am so grateful for his careful stewarding and many many years of support. I could not have gotten to the place I was without his support and belief in my work.
The sales slowed way down….it was like a whole new career and need to create income. They did and I did stop showing/selling. My focus was elsewhere mostly. But after creating a million dollars in art sales by the age of 40 it was kind of a big deal to share it in this way. It was scary sharing everything I knew and the way I made a living. I was taught by my mama Caron McCloud and Sue Hoya Sellars and I felt I was holding so many gifts – and they didn’t feel like they belonged to me, but to everyone else. This wasn’t a feeling I made up – it came through me.I felt I was a messenger. In a vision with the Mother Mary, I was actually told I would give it all away. She didn’t mean for free, but give away all the teaching She gave me. At the time, I didn’t now what ‘it’ was. But soon enough I would know it was Intentional Creativity. We have had 229,000 viewers over 5 years for our classes! Thanks to Jonathan’s support we were able to bring the media to the world starting in 2013, 5 years ago. That is why you can join us on Friday: https://portal.shilohsophia.com/art-opening-stream/
I wasn’t proud enough to share them…until now. The reason for this story today is that I haven’t shown this work because they were teaching paintings. They didn’t feel like my own in a way because they were shaped to meet the need of the class or the student. It has my heart and soul in it as an offering – but not my ‘style and content’ in the way I would have done it if I was painting for myself. Over the past ten years there are a rare few I have done without it being in a class. At times my students have heard me whine about it – about not painting for myself. But honestly – this has been SO MUCH MORE INCREDIBLE than just selling paintings to individuals. Now thousands and thousands of incredible healing and gorgeous paintings are released in the world. Homes, offices, hospitals, studios are all holding the beauty of the feminine that never would have existed if I had kept my gifts for myself and a few select clients.
So in a way I wasn’t as proud of the paintings as actual PAINTINGS of my own. But now with about 100 of them here I guess it makes up a body of work worth sharing lol. MY mom, Caron believes they have such a special energy and presence because each one was an offering – some of which were the guide for over 1000 women to paint! I also believe they have magic in them. And I would love for my community to have them instead of store the body of work until I am long gone. Makes a nice story, but you having them makes a much better reality. At this point I tell all the Intentional Creativity Teachers (over 200 of them) that they need to reclaim their paintings for themselves RIGHT after the class! Don’t wait ten years!
The hand numbered 33….We have a special set of 33 that are all 13 step based, which is a teaching we offer in Intentional Creativity and all are hand numbered and coded with a gold circle with a red thread circle around it to connect them. And there are many more from other classes. I have donated them to the Intentional Creativity Foundation which will receive 30-50% of each sale to help fund our first program, Red Thread Connect, which provides 2 free calls monthly for women to connect, and hopefully will finance our Red Thread Connect App. After the show this weekend and our Cosmic Cowgirls 13 year gathering, we will make what remains available at www.shilohsophiagallery.com and let you know so you can come take a look. Many of the paintings were left as they were after the class, and others, I have brought to full completion.
I wonder what my life would have been like if… At times I wonder what would have happened if I hadn’t gone this route of teaching. How my paintings would have evolved and how I would have evolved as a painter and writer. I know that my painting style and skill haven’t evolved like they would have and yes, sometimes that makes me sad. As in most of the classes I am teaching basics that others can work with to find their own image. As at my truest heart, painting and writing are what I love the most. Who knows what the future holds. I am a little painted out at this point ha! When I paint I am in bliss, teaching or otherwise.
If there is a teaching in this Red Thread Letter it is this. Follow the thread of love where it leads you.
I was lead here by loving others, who crossed my path and called me forward. I am here to say this has been better than I could have imagined. I am in a community of thousands who are truly connected through creativity and love.
And so here we are, and while we are here, let’s celebrate! Turns out there was a big need for this work and with my community the Cosmic Cowgirls and Mary and Jenafer Owen – we brought out our gifts to share.
Join us Friday in Sonoma (doors open at 2pm) or watch later – for a preview of my show. If you are local, come on by to 75 Fremont Drive. Cake is at 5. Because a gathering without a cake is just a meeting. Followed by dancing.
“This seems like all I have ever done. When I was 23 and left the corporate world, and I entered my world of art making as a full time working artist under the mentorship of Sue Hoya Sellars. I feel like I have barely lifted my head up from the drawing board, the easel, the pen. I see everything through the eyes of the artist. Even my activism, my family and the curating of community are seen through the tip of my paintbrush. Sometimes I wonder what I might have missed. Other times I cannot believe my good fortune.
I have always felt my images were the antidote to the worst things in the world, offering medicine for the wounded stories we carry and create.
Truly, my work is lived out. My inner world reflects the world I live day to day. There is complete reconciliation. Sure there are things I still long for, but in many ways, I feel complete and this show, the Alchemists’s Brush, brings that into focus. The patterns of all of my Intentional Creativity teachings, my archetype philosophy, the painting as prayer ideas, the symbolic legendary mythos, and the idea that each of us has our own information and must learn how to find it for themselves, is here, a codex of my body of work.
As I look back over the many years of teaching I have done I find myself surrounded with paintings that I could keep for our estate long after I pass into stardust, but why? Why not have them living in the homes of my community? When I started teaching, I stopped focusing on gallery sales. Sure I have sold many paintings to those who happened to be in my gallery or studio – but I haven’t offered any work online for sale for years in any organized way. 8 years ago I had a sold out show and since then I have just been teaching. I didn’t feel motivated to sell the work because they were teaching paintings – containing so many elements of things I wouldn’t have done on my own. So in a way individually they didn’t feel complete. yet together, I see they have formed their own body of work. And I am proud of that in a different way. I would love for our community to have this body of work in their homes and businesses. Each one is hand numbered 1-33. There are also a few more that are not in the numbered edition.
Here we go. A body of work completed. Following this I don’t plan to sell my teaching paintings anymore. This is a cycle of ten years. This show represents the full circle. I still plan to paint, and sell paintings, but they won’t be like these. They will be my own. These ones belong to and in, the collective.
I am grateful my community, Mary MacDonald and my mom Caron, are coming together to gather and experience and celebrate this milestone. And to my husband Jonthan who has supported this work with absolute loving attention.
This show is dedicated to all of my students, and my teachers.
Signed with red paint and shimmer sauce,
.::press RELEASE::. artist SHILOH SOPHIA art opening & show, june 1st
Attend in Person – Cosmic Cowgirls Studio, Sonoma CA
Greetings! We are pleased to announce the Estate and Private Collection works by world renowned Artist Shiloh Sophia offered for the first time at her studio and gallery in Sonoma, CA. The artist is selling her ten year collection! The pre-show will open on June 1 with an in-person gala beginning at 2pm – 5pm. Friends of the Artist are welcome to stay for cake cutting and music to follow.
Address: Cosmic Cowgirls 75 Fremont Drive, Sonoma 95476. No need to RSVP, just come!
Shiloh Sophia Gallery is offering access and sale of the estate collection comprised of The 33 Teaching Paintings. In an unprecedented move the artist is donating the paintings to the Intentional Creativity Foundation Inc,, a not for profit co-founded by her and her husband, Jonathan for the purpose of funding educational programs for women.
They are currently being offered at a special price point from the gallery list price. There are additional paintings not in the collection, available by request that are either recent or have a special meaning to the artist.
From Cowgirls to Madonnas, Priestesses to Painters, Angels to Matriarchs, Oracles to Medicine Women, the collection features the feminine archetypes as taught by Shiloh Sophia in her groundbreaking 13 step Intentional Creativity® Method. Each painting is hand-numbered by the artist to represent her body of work as a whole. Further, many of the paintings were painted alongside her mentor in the arts, Sue Hoya Sellars (1936-2014).
If you have ever wanted to own a Shiloh Sophia original, this is the time. Shiloh’s mom Caron McCloud says this:
“These paintings are a truly special body of work as they have served thousands of women since my daughter painted them to teach others, they are not just teaching paintings, but hold the stories of those she painted them with and for.”
Shiloh Sophia’s work following this show will be more than doubled in price bringing it to Gallery List pricing. Her long time Sales Manager, and the Curator for Alchemist’s Brush, Mary MacDonald of Toronto, Canada, has been selling her work for over 13 years and says:
“Shiloh’s work speaks to the heart of the feminine in which thousands of women continue to resonate with. Her art is a remedy for the images that women are confronted with on a daily basis that marginalize their body image and their experiences as a woman. Each piece Shiloh creates is a sacred prayer for the person who buys it and on a global perspective for the healing of the world.”
Please email Ms. MacDonald at firstname.lastname@example.org for a Price List (so you can see the price ranges) or to inquire and get your name in for interest. Payment plans are available.
This is the pre-show announcement but photos will not be made available yet. Priority is given to those coming in person on June 1. Once we know you are interested we will follow up with you!
ALCHEMIST’S BRUSH 13 STEP AND TEACHING PAINTINGS
1 ~ Born to Glow
2 ~ Shelter of the Sacred – SOLD
3 ~ Chief Soul Fire – SOLD
4 ~ Sacred Story
5 ~ I See You
6 ~ Molting My Archetype
7 ~ The Author of My Legend
8 ~ Illumination – SOLD
9 ~ Daughter of the Milky Way – SOLD
10 ~ Wheel of Holy Fire – SOLD
11 ~ She Receives Grace – SOLD
12 ~ Lives Into Legends
13 ~ Keeper of Stories – SOLD
14 ~ River of Light
15 ~ Magdalene’s Gift – ON HOLD
16 ~ Within the Creation
17 ~ Clan Mother
18 ~ Renewal – SOLD
19 ~ She Perceives – SOLD
20 ~ Enter the Inquiry – SOLD
21 ~ She Owns Her Own Magic
22 ~ Lady Moon – SOLD
23 ~ Open to Love – SOLD
24 ~ Keeper of Hidden Stories – SOLD
25 ~ Crucible
26 ~ Connected to the Mothership – SOLD
27 ~ Beyond the Veil – SOLD
28 ~ Sacred Space
29 ~ The Mystery School
30 ~ Captain of the Possible
31 ~ Awake to Her Path
32 ~ Becoming a Point of Access
33 ~ First Moon ~ SOLD
Artist & Poet Shiloh Sophia: Curator & Co-Founder of Intentional Creativity
NEWS RELEASE: Osceola Arts – Art in Public Places at Kissimmee City Hall presents Central Florida artist Phyllis “Pannet” Taylor. Ms.Taylor loves to draw the human face and believes that a story lies behind the eyes of every person. A facilitator of Intentional Creativity, Ms. Taylor introduces drawing and painting as an alternative method of creative expression for teens and women who have experienced various types of abuse.
Phyllis “Pannet” Taylor’s artwork
February 1st – 28th at Kissimmee City Hall, Florida
Various life experiences gave me a yearning to teach art where creativity was integral to the self- healing process. We are innately creative beings though many came to believe they were not creative. During a traumatic & abusive period in my life I could not create as my internal critic was so severe little survived. I felt as if I was no longer a creative being.
I began drawing, even writing, with my non dominant hand to create art as it freed me from my internal critic allowing me to express my anger, rage and sometimes my hopelessness. I experimented, discovered and learned new methods and mediums to use. I had fun, I played and I created again! The more I was able to express myself creatively the freer I became emotionally and artistically, incorporating portraits into my abstracted paintings. My life crisis was the catalyst for transforming my chaos into bliss whereby creating art became the energy for my moving into healing and better emotional health.
I volunteered with an organization that helped abused women get a Fresh Start and I was asked to teach art workshops. Through my Xpress YourSELF workshops I found I could help others in their healing process by teaching them to focus their intentions on what they wanted to let go and begin to grow in their lives at that moment. By acknowledging, accepting and activating their innate creativity the women expressed their emotions visually rather than continue to hold them inside.
These past several years I have been intentionally allowing myself to focus on creating art that comes from deep within my heart and as I move into the third quarter of my life I am dedicated and determined to teaching Intentional Creativity® classes and workshops, in person and online, to reach as many people as I can to encourage them to develop their innate creativity. I want to share this feeling of freedom and wholeness with others, women in particular, many who’ve been abused, hurt or wounded and may still be holding the pain inside themselves. Visually channeling the pain is just one way of helping to heal the hurts and close the wounds.
Creating art is always good – but whether or not it is truly healing depends on you choosing to engage your brain and body in the healing process. It is your choice to engage yourself in the conscious act of creating. Some people don’t experience their art as healing although they may call it cathartic or life-saving. However,the capacity to use art as a tool to know oneself is dependent on one’s intention to do so. This is Intentional Creativity®. Through the teaching of Intentional Creativity® I intend to share my past, with it’s pain and it’s healing journey, with others by showing them how they can release their hurts visually and use image to change their stories. Acknowledgment and acceptance of their creativity and actively putting their feelings as marks onto paper or canvas is another way to authentically express their stories and to re-imagine themselves.